Read the original inspiration for the new, boldly reimagined film from producers Oprah Winfrey and Steven Spielberg, starring Taraji P. Henson, Danielle Brooks, and Fantasia Barrino.

Celebrating its fortieth anniversary, The Color Purple writes a message of healing, forgiveness, self-discovery, and sisterhood to a new generation of readers. An inspiration to authors who continue to give voice to the multidimensionality of Black women’s stories, including Tayari Jones, Honorée Fanonne Jeffers, Jesmyn Ward, and more, The Color Purple remains an essential read in conversation with storytellers today.

Winner of the Pulitzer Prize and the National Book Award

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early-twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance, and silence. Through a series of letters spanning nearly thirty years, first from Celie to God, then from the sisters to each other, the novel draws readers into a rich and memorable portrayal of Black women—their pain and struggle, companionship and growth, resilience and bravery.

Deeply compassionate and beautifully imagined, The Color Purple breaks the silence around domestic and sexual abuse, and carries readers on an epic and spirit-affirming journey toward transformation, redemption, and love.

“Reading The Color Purple was the first time I had seen Southern, Black women’s literature as world literature. In writing us into the world—bravely, unapologetically, and honestly—Alice Walker has given us a gift we will never be able to repay.” —Tayari Jones

“The Color Purple was what church should have been, what honest familial reckoning could have been, and it is still the only art object in the world by which all three generations of Black artists in my family judge American art.” —Kiese Laymon

NEW YORK TIMES BESTSELLER • WINNER OF THE BOOKER PRIZE • A modern masterpiece that "reminds us of the power of truth in the face of evil” (People)—and can be read on its own or as a sequel to Margaret Atwood’s classic, The Handmaid’s Tale.

“Atwood’s powers are on full display” (Los Angeles Times) in this deeply compelling Booker Prize-winning novel, now updated with additional content that explores the historical sources, ideas, and material that inspired Atwood.

More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.

Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways.

With The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

A clear modern prose translation of Chaucer’s masterpiece of Middle English storytelling by the acclaimed poet David Wright.

The Canterbury Tales has entertained readers for centuries, with its comic animal fables, moral allegories, miniature epics of courtly love, and rollicking erotic farces that bring fourteenth-century England to life on every page. The gloriously varied stories, narrated by a group of pilgrims on their way to Canterbury, are peopled with saints, sinners, and ordinary mortals in a vivid panorama of the medieval world. This prose translation renders these tales as accessible and irresistible to modern readers as they were to Chaucer’s contemporaries.

A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds

Selected by the Modern Library as one of the 100 best novels of all time

Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.”

An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.”

More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.